[ English ]

The complete number of Kyrgyzstan gambling dens is a fact in question. As details from this country, out in the very most interior area of Central Asia, tends to be hard to get, this may not be too difficult to believe. Regardless if there are two or three legal gambling halls is the item at issue, maybe not really the most all-important piece of information that we do not have.

What no doubt will be credible, as it is of the majority of the ex-Russian states, and definitely correct of those located in Asia, is that there no doubt will be a great many more illegal and backdoor gambling dens. The adjustment to legalized wagering did not energize all the aforestated places to come away from the dark into the light. So, the battle regarding the total amount of Kyrgyzstan’s gambling halls is a minor one at best: how many authorized ones is the element we’re trying to reconcile here.

We understand that located in Bishkek, the capital city, there is the Casino Las Vegas (a marvelously original title, don’t you think?), which has both gaming tables and one armed bandits. We will additionally see both the Casino Bishkek and the Xanadu Casino. The two of these offer 26 one armed bandits and 11 table games, divided between roulette, blackjack, and poker. Given the remarkable likeness in the square footage and floor plan of these 2 Kyrgyzstan casinos, it might be even more astonishing to find that both are at the same location. This appears most strange, so we can likely conclude that the list of Kyrgyzstan’s gambling dens, at least the approved ones, is limited to 2 casinos, 1 of them having adjusted their title just a while ago.

The state, in common with nearly all of the ex-Soviet Union, has experienced something of a fast change to capitalistic system. The Wild East, you may say, to refer to the chaotic conditions of the Wild West a century and a half ago.

Kyrgyzstan’s gambling halls are almost certainly worth visiting, therefore, as a bit of anthropological research, to see dollars being wagered as a form of collective one-upmanship, the conspicuous consumption that Thorstein Veblen wrote about in nineteeth century u.s.a..